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Worldchefs Petty 03 Anno 2011 Jan - June

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Ibn ‘Arabî’s Twofold Perception of Woman

 

In the Name of Allah the Rahman the Rahim

It is astonishing that a colossal Islamic scholar, MuhyiddinIbn ‘Arabî (AH 560-638), who lived more than eight centuries ago, should have declared that woman and man are absolutely equal in terms of human potentiality. He interpreted the “degree” which was given to man over woman[1] as an ontological matter, abolishing singular male images of the universe in favour of a binary conjugal conception, where male and female are coupled together in a necessary cosmic unity on the level of both Creation and Gnosis.

Muhyiddin Ibn ‘Arabî has presented a new vision of woman in the history of Islamic Culture. It is indeed a vision worthy of inspiring contemporary Muslims, of acting as a foundation for the reassessment of their notions and concepts about women in Islam, and of propelling the wheel of cultural change in the proper path.

For the purpose of outlining Ibn ‘Arabî’s vision, my research is divided into two main parts, each containing two subsections, that is a total of four, each holding the potential to be a springboard for a new wave of thought on the issue of women.

 

Woman as Human Being

Ibn ‘Arabî views human reality as one i

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In October 2019, Danish-Trinidadian artist Jeannette Ehlers raised a flag in the old colonial harbour in Nuuk in Kalaallit Nunaat (Greenland) as part of the FLAG/ERFALASOQ project curated by Gudrun Hasle and the Nuuk Art Museum. Against the flag’s white background, the following words were handwritten in large black letters: “Until the lion has their historian, the hunter will always be a hero.” It was not the first time this African proverb had appeared in Ehlers’s art.

Ten years previously, she included a photograph of the proverb in the catalogue for her first major solo exhibition, Atlantic, at Kunsthal Aarhus in 2009. The photo was taken in a dungeon at Fort Prinzenstein in Ghana. Someone had written the text directly on the wall of this fort, which was built in 1784 by the Danish-Norwegian colonial authorities as part of the infrastructure of the transatlantic enslavement trade.

The proverb was subsequently incorporated into one of Ehlers’s artistic interventions in the Royal Cast Collection, housed in the West India Warehouse on the Copenhagen waterfront. And now, the message fluttered on a flag in Nuuk, right next to a statue of Hans Egede, the missionary who set up the Danish-Norwegian colony in 1721. Like proverbs spreading by word of mouth, th