Troas hayes biography for kids
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Allison May (Laura Anderson): Hilary Thompson, Clockmaker May (Uncle Frank): Bert Remsen, Vehicle McClellan: Pecker MacLean, Apostle Gunther: William Prince, Clayburn: Ken Kercheval, Agent Smithers: Richard Multitude, Agent Waldheim: Angus Dancer, Soldier: Parliamentarian Tessier, Karen: Lee Bryant, Bates: Alex Courtney, Policewoman: Barbara Ann Walters, Mr. Gore: Darryl Zwerling, Chilly Evers: Wife Campbell, Floweret Girl: Sandie Newton, Blaze: Gino Conforti, Nancy: Joan Roberts, Fred Oates: Prick Jason, Marty: Chuck Hicks, Alex: Physicist Picerni, Mardean: Troas Actress, Mayor: Dave Shelley, Wife. Swayder: LaWanda Page, Dodds: Ben Leafy. Written By: Joe Reb Moffly, Steven Nalevansky topmost Jeffrey Flush, Directed By: Earl Bellamy.
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Little Darlings
teen comedy-drama film by Ronald F. Maxwell
For other uses, see The Little Darlings (disambiguation). For the jazz/pop standard, see Lil' Darlin'.
Little Darlings is a American teencomedy-drama film starring Tatum O'Neal and Kristy McNichol and featuring Armand Assante and Matt Dillon. It was directed by Ronald F. Maxwell.[3] The screenplay was written by Kimi Peck and Dalene Young and the original music score was composed by Charles Fox. The film was marketed with the tagline "Don't let the title fool you", a reference to a scene in which the character of Angel tells Randy, "Don't let the name fool you."
Film critic Roger Ebert said of the film that it "somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves."[4]
Plot
[edit]A group of teenage girls head to Camp Little Wolf, an all-girls camp, for the summer. The group includes Angel Bright, a cynical, streetwise girl, and Ferris Whitney, a romantic, naive rich girl. The two immediately develop a dislike for one another, and to their dismay learn they must share a cabin. Cinder Carlson, an arrogant teen model who is in the same cabin and is boastful about her sexual experiences, suggests to the group that Ferris
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Bible Commentaries
THE GOSPEL OF LUKE
BY WAY OF INTRODUCTION
There is not room here for a full discussion of all the interesting problems raised by Luke as the author of the Gospel and Acts. One can find them ably handled in the Introduction to Plummer's volume on Luke's Gospel in the International and Critical Commentary, in the Introduction to Ragg's volume on Luke's Gospel in the Westminster Commentaries, in the Introduction to Easton's Gospel According to St. Luke, Hayes' Synoptic Gospels and the Book of Acts, Ramsay's Luke the Physician, Harnack's Date of the Acts and the Synoptic Gospels, Foakes-Jackson and Kirsopp Lake's Beginnings of Christianity, Carpenter's Christianity According to St. Luke, Cadbury's The Making of Luke-Acts, McLachlan's St. Luke: The Man and His Work, Robertson's Luke the Historian in the Light of Research, to go no further. It is a fascinating subject that appeals to scholars of all shades of opinion.
THE SAME AUTHOR FOR GOSPEL AND ACTS
The author of Acts refers to the Gospel specifically as "the first treatise," τον πρωτον λογον, (Acts ) and both are addressed to Theophilus (Luke ; Acts ). He speaks of himself in both books as "me" (καμο, Luke ) and
I made (ἐποιησάμην, Acts ). He refers to himself with others