Tom bass biography
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Thomas A. Bass
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Life & Work
Early influences
Tom Bass was born in 1916 and, after various jobs during the depression and army service during WWII, he began his career as a sculptor upon graduating from the National Art School in 1948. Bass was greatly influenced by what he had learned from Dattilo Rubbo, whose art school he attended in 1937-40, and he also benefited from being taught by Lyndon Dadswell. Bass was Dadswell’s assistant in 1949-50, after which he taught at the National Art School until 1953. From 1951 to 1964, he held various executive positions with the Sculptor’s Society, of which he was a founding member.
Works
Tom Bass’ work as a sculptor has been concerned with communities, namely schools, universities and government and corporate and religious institutions. In the late forties, Bass developed his philosophy of working as a sculptor in making totemic forms and emblems, namely work expressing ideas of significance to particular communities or to society at large. Examples of his work include The Trial of Socrates and The Idea of a University at Wilson Hall, Melbourne University, the winged figure of Ethos in Civic Square, Canberra, representing the spirit of the community and the Lintel Sculpture at the National Library in Canberra, representing the
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Tom Bass (sculptor)
Australian sculptor
Thomas Dwyer Bass, AM (6 June 1916 – 26 February 2010) was a renowned Australian sculptor.[1][2] Born in Lithgow, New South Wales, he studied at the Dattilo Rubbo Art School and the National Art School. Bass served in the Second Australian Imperial Force during the Second World War, rising to the rank of sergeant. He established the Tom Bass Sculpture School in Sydney in 1974.[3] In 1988, he was made a Member of the Order of Australia (AM) for services to sculpture. In 2009, he was admitted to the degree of Doctor of Visual Arts (honoris causa) at the University of Sydney.
A retrospective of his work, spanning 60 years, was exhibited at the Sydney Opera House between 9 November and 17 December 2006.[4]
Totem maker
[edit]After graduating from the National Art School, Bass developed his philosophy of working as a sculptor as being the maker of totemic forms and emblems, that is, work expressing ideas of particular significance to communities or to society at large. Examples of his work include The Trial of Socrates and The Idea of a University at Wilson Hall, Melbourne University; The Falconer on Main Building at University of New South Wales, representing the conflict between beaut