Fyodor dobronravov biography of mahatma

  • 'Hamlet' and World Cinema uncovers a vital part of the adaptation story.
  • Dobronravov, Georgij.
  • Prizma.
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  • fyodor dobronravov biography of mahatma
  • International Encyclopedia of Pseudonyms: Band 3 Dibattista – Gosiorovský 9783110952711, 9783598249631

    Table of contents :
    Contents / Inhalt / Contenu / Contenuto / Contenido
    Notes for the user / Hinweise für den Benutzer / Notes pour l'utilisateur / Avvertenze / Indicaciones para el uso
    List of Sources / Quellenliste / Liste des sources / Elenco delle fonti / Lista de fuentes
    Abbreviations of cited Reference Works / Abkürzungen der Quellen / Abréviations des sources / Abbreviazioni bibliografiche / Abreviaturas de las fuentes
    General Abbreviations / Allgemeine Abkürzungen / Abréviations générales / Elenco delle abbreviazioni / Abreviaturas generales
    Real Names / Wirkliche Namen / Vrais noms / Veri nomi / Nombres verdaderos. 3. Dibattista – Gosiorovský
    Dibattista – Dzyubin
    E. Eachard – Ezzelino III da Romano
    F. Faas – Fytton Armstrong
    G. Gaa – Gosiorovský

    Citation preview

    International Encyclopedia of Pseudonyms Internationale Enzyklopädie der Pseudonyme Encyclopédie Internationale des Pseudonymes Enciclopedia Internazionale degli Pseudonimi Enciclopedia Internacional de Pseudónimos

    International Encyclopedia of Pseudonyms Part I: Real Names [Volumes 1 – 9] Part II: Pseudonyms [Volumes 10 – 16]

    Internationale Enzyklopädie der Pseudonyme Teil I: Wirkliche Na

    'Hamlet' and World Cinema 9781107135505

    Table of contents :
    Cover
    Half-title page
    Title page
    Copyright page
    Dedication
    Contents
    List of
    Figures
    Acknowledgements
    A Note on Texts and Titles
    Introduction
    Chapter One Hamlet, Cinema and the Histories of Western Europe
    Chapter Two Thematizing Place: Hamlet, Cinema and Africa
    Chapter Three Hamlet and the Moment of Brazilian Cinema
    Chapter Four Pairing the Cinematic Prince: Hamlet, China and Japan
    Chapter Five Hamlet and Indian Cinemas: Regional Paradigms
    Chapter Six Gendering Borders: Hamlet and the Cinemas of Turkey and Iran
    Chapter Seven Materializing Hamlet in the Cinemas of Russia, Central and Eastern Europe
    Filmography
    Bibliography
    Index

    Citation preview

    ‘ HAMLET’ AN D W ORLD CINEMA

    ‘Hamlet’ and World Cinema reveals a rich history of cinematic production extending around the globe. Making a case for Hamlet as the world’s most frequently filmed text, and using specially commissioned interviews with cast, directors and screenwriters, it discusses films from Africa, Asia, Europe, Latin America and the Middle East. The book argues that the play has been taken up by filmmakers worldwide to allegorize the energies, instabilities, traumas and expectations that have defined the twentieth and twenty-first centuries. In so doing,