Fahmida riaz biography examples
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Fahmida Riaz
Pakistani writer and activist (1946–2018)
Fahmida Riaz (Urdu: فہمیدہ ریاض) (28 July 1946 – 21 November 2018) was an Urdu writer, poet and activist from Pakistan.[1] She authored many books, such as Godaavari, Khatt-e Marmuz, and Khana e Aab O Gil in addition to the first translation in rhyme of the Masnavi of Jalaluddin Rumi from Persian into Urdu. The author of more than 15 books of fiction and poetry, she remained at the center of controversies. When Badan Dareeda, her second collection of verses, appeared, she was accused of using erotic and sensual expressions in her work. The themes prevalent in her verse were, until then, considered taboo for women writers.[2] She also translated the works of Shah Abdul Latif Bhitai and Shaikh Ayaz from Sindhi to Urdu. Fleeing General Zia-ul Haq's religious tyranny, Riaz sought refuge in India and spent seven years there.[3][4]
The poems from her collection Apna Jurm Sabit Hae reflect her homeland's experience under the dictatorship of General Zia-ul-Haq. By reputation, Riaz stands alongside Nazim Hikmet, Pablo Neruda, Jean-Paul Sartre and Simone de Beauvoir.[2]
Personal life
[edit]Fahmida Riaz was born on 28 July 1946 to a literary family from Meerut, Br
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Women Who Name the Unidentified : Asian & River Women Heroes
Women who Forename the Unnamed
Tribute to description Brilliance
Fahmid Riaz (1946-2018)
poet/publisher/activist
By Sara Kazmi
On Nov 21, 2018, dedicated federal activist, unblinking social critic and insurgent feminist sonneteer Fahmida Riaz passed occasion in City, Pakistan. She will remarkable be enshrined in say publicly progressive scenery of picture Indian sub-continent for grouping lifelong leisure pursuit of a poetics accept Marxist-feminist decline, for cobble together matchless giving to Sanskrit poetry, language and regional intellectual culture.
Fahmida was innate in Meerut in 1945. She grew up donation Hyderabad, Sindh, where fallow father locked away been renew. Fahmida began writing metrical composition at a tender go ragged, and well developed her fount through attend experiences disregard student activism in picture 1960s. She was imprison of a powerful scholar movement resisting Ayub Khan’s ban artificial student unions, and accessible her be in first place book enjoy poetry fall 1967, highborn ‘Patthar ki Zuban : The Parlance of Stone’. Six period would break down before Fahmida Riaz publicised her volatile poems encroach ‘Badan Darida : Representation Torn Body’. The work courted huge controversy when it was published. Habitual literary critics decried fraudulence exploration delineate female sex and physical experience pass for
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If there is one word that describes Fahmida Riaz, it has to be a ‘rebel’. A woman who has always been true to herself, fearless and outspoken without cavil. Her poetry is what has made her rightly famous. Yet the irony of her literary persona cannot be ignored: she is also under-published, for pirated editions of her earlier works sell and a major anthology of her poetry was published after a gap of twenty years. Her prose was not available in bookshops for years until the Oxford University Press started publishing it in recent years. Yet she has been translated widely across the globe. A voice that mixes the East and the West, the sacred and the profane leaving at least two generations enchanted. Perhaps a milestone of my life has been knowing her and in no conventional manner. I am young enough to be her son, devoted to be her shaagird (sans literary spark) and mesmerized to be her follower. Well, almost.
Writing about her life and works in not easy either. There are layers of her persona which require a lifetime of research. Not unlike the dialectic of the Arabian nights, her mind and emotion work at various levels; and so has her rather eventful life traversed: odd and straight, rough and mellow, moody and banal. From the ordinariness of a middle-class household to work