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The Royal Ballet
Ballet company in the United Kingdom
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois.[1] It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises.[1] It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
The Royal Ballet was one of the foremost ballet companies of the 20th century, and continues to be one of the world's most famous ballet companies to this day, generally noted for its artistic and creative values. The company employs approximately 100 dancers. The official associate school of the company is the Royal Ballet School, and it also has a sister company, the Birmingham Royal Ballet, which operates independently. The Prima ballerina assoluta of the Royal Ballet is the late Dame Margot Fonteyn.
History
[edit]Ninette de Valois, an Irish-born dancer founded the Academy of Choreographic Art, in 1926, a dance school for girls.[2] Her intention was to form a repertory ballet comp
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Biographical Ballets Acquaint with
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In Dancer, Steven Cantor’s film about Sergei Polunin, there’s heartbreaking footage of the dancer when he was eight years old. Wide-eyed, gappy-toothed and lit by an irrepressible grin, little Sergei spins, tumbles and balances with a grace astonishing in one so young. As Polunin’s grandmother comments, “He used to dance with his heart. He transported himself right into the music.”
Nearly two decades later, as Cantor’s camera follows Polunin backstage after a show, the life has apparently been drained from him. Blank-faced and hunched, he mutters: “Every day I hope I will be injured, then I won’t have the option to dance any more.” A bleaker, darker fable than The Red Shoes, Dancer tells the story of how talent can turn from a blessing to a curse.
Something of that story became public in 2012 when Polunin, as one of the Royal Ballet’s most heavily promoted young principals, suddenly announced that he was quitting the company. Amid stories of cocaine use and his own gnomic tweets about “living fast and dying young”, the 22-year-old claimed that he’d become stifled by ballet, that “the artist inside [him] had died” and that he had to move on.
In fact Polunin moved on to Russia, where he joined the Stanislavsky Ballet in Moscow. Closely mentored by his new director, Igor Zele